Originally presented on television in 1957 starring Julie Andrews, Rodgers & Hammerstein's Cinderella was the most widely viewed program in the history of the medium. Release Date Title Production Budget Opening Weekend Domestic Box Office Worldwide Box Office; Jun 25, 2019: Cinderella II: Dreams Come Feb 6, 2007 Rodgers & Hammerstein's Cinderella is a 1997 American musical telefilm produced by Walt Disney Television. [47] Meanwhile, the royal family wears different shades of purple, a color often associated with royalty. [120], ABC began discussing the possibility of Disney producing more musical films for the network shortly after Cinderella's premiere,[83] originally commissioning its producers to develop similar musicals to broadcast every November. Among the most significant changes made to the musical, several songs from other Rodgers and Hammerstein productions were interpolated into the film to augment its score. [9][62] Surprisingly, 70 percent of Cinderella's total viewership that evening consisted of females under the age of 18,[15][79] specifically ages two to 11. "[26] Company alumna Veanne Cox and television actress Natalie Desselle, respectively, were cast as Cinderella's stepsisters. Tonight's trending movie pick is the Family/Fantasy/Musical movie Cinderella (1997).Synopsis: Although mis. "[12] With a then-unprecedented production budget of $12 million, Rodgers & Hammerstein's Cinderella is one of the most expensive television films ever made;[21][62] some media publications dubbed the program "the most expensive two hours ever produced for television. [12] The idea to remake Cinderella for television a second time originated as early as 1992, at which time producers Craig Zadan and Neil Meron first approached the Rodgers & Hammerstein Organization about obtaining the screen rights to the production. The main plot follows a litter of dalmatian puppies who end up kidnapped by Cruella de Vil to make fur for her coats. [62], The film also won an Art Directors Guild Award for Excellence in Production Design Awards Show, Variety, Music, or Non-Fiction Program,[116] awarded to Ser. [32] Houston would encourage the singer to "Sing from your gut" as opposed to singing from her chest in order to get her to sing louder. csl plasma price per donation. In a special 20/20 episode that aired to commemorate the . "[147] Khoo observed that the film continues to be constantly praised in social media by fans who had grown up with the film for its diversity, concluding, "With so much talk about the lack of diversity in Hollywood these days, Rodgers and Hammerstein's 'Cinderella' is a shining example of the diversity we need. "[49] According to Paller, the screening resembled a Broadway tryout more than a film preview since the audience reportedly applauded at the end of every song. What better message could we send than that? 'Cinderella' becomes the servant of the house. "[124] However, the Los Angeles Times' Brian Lowry observed that few of the series' subsequent projects achieved the ratings that Cinderella had, with viewership for later programming being rather inconsistent. "[41] While lauding Brandy and Montalban's efforts, James described the film's feminist re-writes as "clumsy" and accused it of wasting Houston's talent. (4,798) 7.7 1 h 17 min 1965 X-Ray G. A sparkling fantasy of music, magic and romance, Rodgers & Hammerstein's Cinderella captivates from overture to finale with a delightful score and stunning flittering performances from an all-star cast. "[17][37] In September 1997, Disney Telefilms president Charles Hirschhorn identified the film as the studio's most costly upcoming project. [37] Rodgers & Hammerstein's Cinderella premiered on October 13, 1997 at Mann's Chinese Theatre,[75] which Houston attended with her husband and daughter. [17][26] Brandy, who identified "Cinderella" as her favorite fairy tale,[19] was the first person of color to portray the character on screen,[17][27] with both Brandy and Houston becoming the first African-American actresses to play their respective roles in any screen adaptation of the fairy tale,[28][29] although an all-Black modern-day re-telling of "Cinderella" entitled Cindy had premiered in 1978. [117] Freedman's teleplay was nominated for a Writers Guild of America Award for Best Children's Script. With Brandy Norwood, Bernadette Peters, Veanne Cox, Natalie Desselle Reid. $14.00. Critics Consensus: Woody Allen's Blue Jasmine finds the director in peak late-period form -- and benefiting from a superb cast led by Cate Blanchett. [37] Meron maintains that these adjustments helped the composition resemble a "Rodgers and Hammerstein song that sounds like a new Whitney Houston record". Describing it as "effortlessly, even unintentionally, progressive", Thomas wrote that the film "forecast a world with far more possibility; it's a film made for the future. [27] Both Polygon and Mashable named 1997's Cinderella the best version of the story,[100][132] while Entertainment Tonight ranked the film the third greatest adaptation of the fairy tale. [37] "The Sweetest Sounds", a duet Rodgers wrote himself following Hammerstein's death for the musical No Strings (1962), was used to explore the lead couple's initial thoughts and early relationship upon meeting each other in the town square,[20] performing separately until they are united. [37] According to Entertainment Weekly contributor Mary Sollosi, none of the script's dialogue requires that any of its cast or characters be white,[43] with the film also lacking references to the races or ethnicities of the characters whatsoever. [9][48] Alexander accepted the role despite being paid significantly less than his Seinfeld salary because, in addition to hoping to earn Zadan and Meron's favor for the title role in a potential film adaptation of the musical Sweeney Todd: The Demon Barber of Fleet Street (1979), he hoped that Cinderella would positively impact the future of television musicals. [70] Winston supplied the set with three armed guards to ensure that the jewelry remained protected at all times and was safely returned at the end of filming. [8] In 2007, theatre historian John Kenrick dismissed the film as "a desecration of Rodgers & Hammerstein's only original TV musical" despite its popularity, advising audiences to only watch the previous versions of the musical. 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[19][31] Montan, who oversees most of the music for Disney's animated films, had been interested in crossing over into live-action for several years and identified Cinderella as one of the first opportunities in which he was allowed to do so. [37], Brandy found the recording process "challenging" because the film's songs were different than any material she had recorded before, explaining that she was nervous since her "voice wasn't fully developed", especially in comparison to her idol Houston and at times struggling to project. "[89], Brandy Norwood reprises her role as Cinderella in the Disney+ film The Pocketwatch, part of the Descendants franchise.[149]. [107], Although Houston and Brandy's on-screen pairing was highly anticipated, the supporting cast of Peters, Goldberg and Alexander ultimately garnered most of the program's praise. [16] The producers refused,[36] insisting that "The whole point of this whole thing was to have a black Cinderella. [110] The Oxford Handbook of The American Musical editor Raymond Knapp believes that Brandy's sitcom experience negatively affected her acting, writing that she often overreacts and delivers lines "as if they were punch lines rather than emotionally generated phrases. Anak-anak. 6 min read. [37] Cinderella and the prince are also shown meeting and developing an interest in each other prior to the ball,[38] lessening the "love at first sight" element at the behest of the producers, by having Cinderella and the prince meet and talk to each other first,[37] an idea that would be reused in subsequent adaptations of the story. The timeless enchantment of a magical fairy tale is reborn with the Rodgers & Hammerstein hallmarks of originality, charm and elegance. However, she called Montalban "perfectly charming" and "The real fairy tale". Cinderella: Dirigido por Robert Iscove. With a production budget of $12 million, Rodgers & Hammerstein's Cinderella ranks among the most expensive television films ever made. The revenue listed is the worldwide box office combined with the domestic home market revenue to date. Yang Hormat Dato' Sri Idris bin Md. Hallmark Keepsake Ornament "Little Red Riding Hood" By Madame Alexander/New In Box Dated 1997/"Cinderella"/Madame Alexander 1996 "[52] Despite the fact that Hammerstein's will states that altering his work is prohibited,[56] James believes his father would have appreciated Ebb's contribution since the songwriter had been known to enjoy collaborating with new lyricists. 4. [58] Brandy learned to waltz for the role,[32] a task which took her two weeks to perfect. [36] The producers agreed to finance the remainder of the project using their own money, while Goldberg volunteered to donate the rest of her daily salary to completing the production. [74] One of ABC's promotional advertisements for Rodgers & Hammerstein's Cinderella featured a black-and-white scene from the original 1957 broadcast in which Andrews sings "In My Own Little Corner", which transitions into Brandy singing her more contemporary rendition of the same song, its "funkier orchestration" sounding particularly noticeable opposite Andrews' original. Several well-known actors auditioned for the role, including Wayne Brady, Antonio Sabato, Jr., Marc Anthony and Taye Diggs, the latter of whom was highly anticipated due to his starring role in the musical Rent at the time. That in stories, there are no constraints; the only limit is your imagination. In addition to Cinderella herself, Mirojnick costumed all female guests attending the prince's ball in various shades of blue, ranging from aqua to sapphire;[49] Meron believes that Mirojnick's use of color in the characters' costumes distracts from the various skin colors of the film's actors. All of these elements make watching or re-watching the film incredible, but a deeper look reveals a main reason why it was enchanting to begin with: The whole film is refreshingly diverse. Parents need to know that Rodgers and Hammerstein's Cinderella is a 1997 TV movie adaptation of the popular 1957 TV musical (itself based on the classic Charles Perrault fairy tale).While the film does include bullying, name-calling ("stupid," "lazy"), and comical slapstick -- including drunkenness played for laughs in one musical number -- it's very kid-friendly overall. Cinderella is a musically-driven bold new take on the traditional story you grew up with. [16] Houston believed strongly in the story's positive moral "that nothing is impossible and dreams do come true," encouraging the filmmakers to imbue their version of Cinderella "with a 90s sensibility but to remain faithful to the spirit of the original. [16] In a conscious decision to update the fairy tale for a modern generation, Freedman sought to deconstruct the messages young girls and boys were subjected to in previous versions of the fairy tale, explaining, "We didn't want the message to be 'just wait to be rescued",[38] and thus altered the story to "reflect current ideas about what we should be teaching children. "[16] His efforts apply to both Cinderella and the prince; while Cinderella pines for independence from her stepfamily and actively disagrees with her stepmother's opinions about gender roles in marriage, the prince protests the idea of being married off to simply anyone his parents choose. "[4] Houston found the most impressive part of the remake to be "the lessons youngsters can learn about dreams and self-image". Box office. [129][130], Despite its initial reception, Cinderella has become widely revered as one of the best film adaptations of the fairy tale. And once you learn that, you don't unlearn it", representing its theme that nothing is impossible. [34] Having grown up watching Caucasian actresses portray Cinderella, Houston felt that 1997 was "a good time" to cast a woman of color as the titular character, claiming the choice to use a multi-cultural cast "was a joint decision" among the producers,[35] who agreed that every "generation [should] have their own 'Cinderella'. [25] The Los Angeles Times critic Howard Rosenberg wrote that the prince's inability to recognize that some of the women trying on the glass slipper in his search for Cinderella are white as part of "what makes this "Cinderella" at once a rainbow and color-blind, a fat social message squeezed into a dainty, glass slipper of a fable. No returns, but backed by eBay Money back guarantee. Brandy Norwood, left, and Whitney Houston are part of why "Cinderella" (1997) has withstood the test of time. Kejuaraan U-23 AFC (2014 dan 2024 (bila lolos) karena pada 2016, 2018, dan 2020 hanya menayangkan highlights) Kejuaraan Junior Putra dan Putri AFC ( U- 16 dan U- 19) Liga Champions AFC. The original cast included Brandy and the late Whitney Houston, as well as Whoopi Goldberg as Queen Constatina, Paolo Montalban as Prince Christopher, Victor Garber as King Maximillian, Bernadette . "[12] Towards the end of filming, the producers realized that they did not have enough money to pay for extras and additional costs, and Disney refused to loan any more money to the production. [16] Despite quickly earning approval from the Rodgers & Hammerstein Organization,[12] Houston typically took longer to make decisions, and although the producers sent and continuously reminded her about the script, it remained unread for several months. Release Date Mar 13, 2015 - Sep 17, 2015. [30][31], Brandy likened being hand-selected for Cinderella by a performer she idolizes to a real-life fairy tale,[32] accepting the role because she already had successful singing and acting careers, in addition to relating to the main character in several ways. [37] The main characters were dressed in costumes that complemented their roles and personalities, the stepfamily's "loud" dresses in contrast to Cinderella's warmer, more neutral tones. "[16] Kelsie Gibson of PopSugar wrote that the film is superior to Disney's other princess-themed offerings from the 1990s. Based on the French fairy tale by Charles Perrault, the film is the second remake and third version of Rodgers and Hammerstein's musical, which originally aired on television in 1957. Running Time 1 hr 45 min. [16] Although he had not written a musical before, Freedman was fond of Warren's version and drawn to the opportunity to work with Zadan and Meron, whose plans to remake Cinderella he had first read about in a Variety article. [15] According to the Nielsen ratings, Cinderella averaged a 22.3 rating and 31 share (although it was originally estimated that the program had earned only an 18.8 rating),[9][78] which is believed to have been bolstered by the film's strong appeal towards women and adults between the ages of 18 and 49. At Lionel's suggestion, Constantina and Maximillian compromise that should Christopher not be successful in choosing a bride at the ball, he be allowed to find one on his own terms. [16] Aware that the film could potentially be groundbreaking, Freedman, Zadan and Meron collaborated on several new ideas for the remake, among them ensuring that Cinderella "was defined by more than falling in love", providing her with her own story arc that is beyond simply finding a love interest. [20] Houston explained that by the time she became a wife and mother, she was not "quite feeling like Cinderella" anymore, believing that portraying the ingenue would require significant "reaching" for herself as an actress. MPAA Rating: PG for suggestive material and language. NEW Barbie as Cinderella 1997 Doll box missing but never removed from cardboard. [103], Praising its score and faithfulness to the source material, Eileen Fitzpatrick of Billboard called the film a "sure to please" remake while lauding Brandy's performance, joking that the singer "slips into the Rodgers and Hammerstein Broadway-like score as easily as Cinderella fits into the glass slipper". Blue Jasmine (2013)91%. "[16] Zadan maintains that Brandy was the only actress they had considered for the role, elaborating, "it's important to mention because it shows that even at that moment there was still resistance to having a black Cinderella. After being scolded for speaking to a stranger, Cinderella returns to her stepfamily's aid before she was able to realize the young man is Prince Christopher. $182 million [2] Cinderella is a 1950 American animated musical fantasy film produced by Walt Disney Productions and released by RKO Radio Pictures. [16] After relocating their production company, Storyline Entertainment, from CBS to Disney Studios,[18] Zadan and Meron re-introduced the project to Houston. [17] The casting directors recruited performers from various entertainment facets, spanning the Broadway, television, film and music industries. [45] These segments were again interpolated with excerpts from the 1957 version. [67] Cinderella's "glass slippers" were made of shatterproof acrylic as opposed to glass, and only one pair was designed to fit Brandy's feet; the shoe the prince discovers and carries on a pillow in search of its owner was designed to be extremely small in order to give it the appearance of being "incredibly delicate", with Iscove describing it as "too small for any human" foot. For example, 2017's Beauty and the Beast, 2019's Aladdin and Lion King each surpassed $1 billion in box office earnings. Originally presented on television in 1957 starring Julie Andrews, Rodgers & Hammerstein's Cinderella was the most widely viewed program in the history of the medium. With its enchanting story, iconic animation, unforgettable characters and plenty of Bibbidi-Bobbidi-Boo. "[46] Theater director Timothy Sheader found the production "harsh and unmagical". [115] Rodgers & Hammerstein's Cinderella was the 13th most nominated program at that year's ceremony. "[145] Fuse TV dubbed Brandy's performance as Cinderella "iconic" and "arguably the most groundbreaking portrayal at time," inspiring the character to become more diverse in the following years. [16] The Rodgers & Hammerstein Organization allowed the filmmakers an unusual amount of freedom to modify the musical's script, among these changes making Cinderella a more active heroine;[37] Meron credits Freedman with "giv[ing] her a little bit more of a backbone", ultimately developing the character into a more independent woman. "I auditioned some 7,000 times for Cinderella ," James jokingly recalled to The Hindu in 2020. [123] Inspired by the success of Cinderella, Zadan and Meron saw remaking the musical as an opportunity to rectify the previous adaptation's errors. Co-produced by Whitney Houston, who also appears as Cinderella's Fairy Godmother, the film stars Brandy in the titular role and features a racially diverse cast consisting of Jason Alexander, Whoopi Goldberg, Bernadette Peters, Veanne Cox, Natalie Desselle, Victor Garber and Paolo Montalban. Adapted from Oscar Hammerstein II's book, Freedman modernized the script to appeal to more contemporary audiences by updating its themes, particularly re-writing its main character into a stronger heroine. [127] A Broadway adaptation of the musical premiered in 2013, in which several songs from the 1997 film are re-used, including "There's Music in You". [25] In an article for HuffPost, contributor Isabelle Khoo argued that despite the constant remakes that Hollywood produces "no fairy tale adaptation has been more important than Rodgers and Hammerstein's 'Cinderella. [29] The remake reflected a changing society,[27] containing themes discussing self-reliance and love. [47] Den of Geek ranked the film the second best "Cinderella" adaptation, describing it as "the first time the story truly felt magical" and writing "Almost twenty-five years later, this adaptation still feels like the television event it was when it premiered. "[2] While praising Brandy's subtlety, Richmond found Houston's interpretation of the Fairy Godmother to be an overzealous, "frightening caricature, one certain to send the kids scurrying into Mom's lap for reassurance that the good woman will soon go away. [12] Music producers Chris Montan and Arif Mardin were interested in combining "Broadway legit with Hollywood pop",[12] re-arranging the musical's original orchestration in favor of achieving a more contemporary sound by updating its rhythm and beats. [133] CinemaBlend ranked the film the fourth most charming film adaptation. [99][132] Brandy's performance earned her the titles "the first Cinderella of color", "the first black Cinderella" and "the first African-American princess" by various media publications,[32][98][140][141] while Shondaland.com contributor Kendra James dubbed Brandy "Disney's first black princess", crediting her with proving that "Cinderella could have microbraids" and crowning her the Cinderella of the 1990s. [109] Harlene Ellin of the Chicago Tribune wrote that, despite its aesthetics and color-blind casting, the film "lacks the requisite charm and spark", concluding that the production "doesn't capture the heart" despite its beauty. [25] Furthermore, the writer opined that future live-action remakes should watch Cinderella for reference. 1997, Musical/Romance, 1h 36m. This list shows all films released in 1997, including films that went direct-to-video, or only got an international theatrical release. [4], According to Ray Richmond of Variety, Freedman's teleplay is faster in pace and contains more dialogue than previous versions,[2] although A Problem Like Maria: Gender and Sexuality in the American Musical author Stacy Ellen Wolf believes that the teleplay borrows more from the 1957 version than Joseph Schrank's 1965 version due to sharing much of its humor, dialogue and gender politics with Hammerstein's book. Check out our "cinderella 1997" selection for the very best in unique or custom, handmade pieces from our shops. 16. "[25] Tesema credits its ethnic diversity with making the film as "enchanting" as it is, continuing that the production "invites you to accept these [characters' races] as just the way they are for a little over an hour and it's a beautiful phenomenon". Yet to be impressed with any of the young women he meets, including Cinderella's Stepsisters, Christopher is growing weary until Cinderella arrives, and the pair instantly start dancing much to the annoyance of Cinderella's stepfamily, who can't help but feel that the unidentified princess is familiar. "[34] The Sistahs' Rules author Denene Millner was less receptive towards the fact that Brandy's Cinderella falls in love with a non-Black prince, arguing, "When my stepson who's 5 looks at that production, I want him to know he can be somebody's Prince Charming. By the time the film was greenlit by Disney for ABC, Houston felt that she had outgrown the title role, which she offered to Brandy instead. [21] According to Zadan, musical films struggled to sell well on home video until Cinderella was released. "[16] Similar to the film, the stage adaptation has consistently demonstrated color-blind casting. [20] Performed while they prepare for the ball,[54] the song was offered "a driving, up-tempo arrangement" for Peters. "[39] Freedman identified Houston's eventual re-casting as the Fairy Godmother as a moment that instigated "the next round of rewriting",[16] adapting her version of the character into a "worldly-wise older sister" to Cinderella, as opposed to the "regal maternal figure" that had been depicted prior. Last edited on 28 February 2023, at 17:27, Outstanding Art Direction for a Variety or Music Program, Sweeney Todd: The Demon Barber of Fleet Street, 1950 animated adaptation of the fairy tale, Outstanding Variety, Music or Comedy Special, Outstanding Costume Design for a Variety or Music Program, Outstanding Directing for a Variety or Music Program, Outstanding Hairstyling for a Miniseries, Movie or a Special, Excellence in Production Design Awards Show, Variety, Music, or Non-Fiction Program, Outstanding Television Movie, Mini-Series or Dramatic Special, NAACP Image Award for Outstanding Lead Actress in a Television Movie or Mini-Series, "Rodgers and Hammerstein's Cinderella (1997)", "Rodgers & Hammerstein's Cinderella (1997)", "Whitney Houston And Brandy Star In TV Movie 'Cinderella', "Brandy Norwood, Bernadette Peters & More Look Back on Twenty Years Since Cinderella", "Playbill Critics Circle: Review TV Cinderella", "Finally, Cinderella is going to the ball", "TV's Cinderella Turns In Royal Ratings Performance", "Curtain Call: Ted Chapin Makes Sure Cinderella Has a Ball", "Playbill on Opening Night: Cinderella; The Very Best Foot Forward", "Ring Out The Bells, Sing Out The News: Rodgers & Hammerstein's Cinderella Returns To Television", "It's Possible: 60 Million Viewers Go To The Ball With Cinterella", "It's Possible: An Oral History of 1997's "Cinderella", "Remembering Whitney Houston and the 1997 remake of Rodgers and Hammerstein's Cinderella", "Television; The Slipper Still Fits, Though the Style Is New", "Impossible?
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